Introducing FILM LUTS – 26 Cinematic Looks for Standard & Log Footage

Kyler Holland
Aug 10
2 min read

It’s official — my FILM LUTS Collection is live! 🎉 This pack has been a long time coming, and I’m beyond excited to finally share it with you.

If you’ve been looking for a quick way to give your footage that big screen, film-inspired look without hours of color grading, this is it.

What’s Inside

The pack includes 26 handcrafted LUTs:

13 Standard LUTs (Rec.709) – Perfect for footage that’s already in a standard color space.
13 Log LUTs – Matched versions of each look, crafted for maximum dynamic range and detail when working with Log footage.

That means you can keep your color consistent across different camera profiles and workflows.

Why These LUTs Stand Out

I didn’t just batch-export some looks and call it a day. Every LUT in this collection was:

Tested across multiple camera brands (Sony, Canon, RED, Blackmagic, Panasonic)
Balanced for skin tones so people look natural, not alien
Created for cinematic flexibility - from warm golden tones to modern teal shadows
Named for easy recall (no more guessing what “LUT 07” does)

And the early feedback?

“These are KILLER! Thanks my man!”

Here’s the full list of LUTs included in the Standard set (also available in Log versions):

Desert Glow
Sunset Fade
Teal Horizon
Copper Daylight
Sandstone Film
Amber Frame
Golden Reel
Filmic Bronze
Coastal Teal
Retro Gold
Canyon Light
Scarlet Sun
Pure Frame

How to Use Them

All LUTs come in .cube format, making them compatible with:

Premiere Pro (Also available with a preset file)
DaVinci Resolve
Final Cut Pro
And most other professional editing programs

Simply apply the LUT to your footage, tweak intensity to taste, and you’re done. Instant cinematic vibes. In Premiere, you can import the preset file as well.

Perfect For:

Filmmakers who want consistent, film-inspired looks
Wedding videographers aiming for timeless color palettes
YouTubers and content creators who want polished, professional color without heavy grading
Anyone tired of flat, lifeless footage